“Not everything here lives on the page.
Some things come back to life through you.”
Prototype Language
World Languages
Cultural Languages
Nordic Languages
Northeastern Languages
Balkan / Oriental Languages
Languages Neighboring German
Non-European Cultural Languages
Notice:
NADU / Atlantisaga is a mythopoetic, literary work.
It works with symbols, figures, and narrative voices.
It makes no claim to truth, revelation, or healing.
Essential leaps of thought
arise through digging,
not through consumption—
leaps that make it possible
to stumble upon ideas
no one has thought before,
by tripping over barriers of thought
that once passed
as rather comfortable
zones of ease.
The Mythopoetic Work
Imagine this:
you do not step into a book,
but into a field.
A space of resonance.
A web of remembering.
A text that does not only want to be read,
but felt.
NADU is not a system.
Not a law.
Not a teaching.
Not a theory.
NADU is a call —
from a time
that does not yet call itself language,
yet has long been sounding within you.
A mythopoetic codex
that does not say:
“This is how you must live.”
But asks instead:
“What of this is already ringing true in you?”
NADU was not always there.
It has grown.
Not in years,
but across stretches of time
for which words are scarce.
What follows is not a chronicle.
Not a line of proof.
It is a story
that came to me in an unconventional way —
not as text,
but as memory.
I do not speak here as a scholar.
Not as a preacher.
And not as the holder of a truth.
I speak as a druid,
in the role of keeper of the circle.
As one whose task it is
to hold the measure,
to sense tension,
to bring balance
when resonance begins to tilt.
What I pass on
is based on experiences
that were not “told” to me.
They are shared here
as transmissions.
From a world
that is not our own,
and yet remains connected to it.
The source of these transmissions
is a being from a spiritual realm.
Her name is Isisa.
She is traditionally associated
with love,
with magic,
and with healing.
Isisa
(later also known as Isis)
appears in this work as a mythological figure.
But names are only surfaces.
What remains
is her function.
Not as a goddess in a religious sense,
but as a bearer of resonance
between worlds.